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CHAPTER IX. AFTER THE DEED. Patricia drummed on the railing. "She was well enough," she admitted grudgingly. "But after I had modeled those figures and tried to get something appropriate for each one—and it was hard to get the candy into the inside of them, too, without spoiling it—they go and accept them as though they were a cup of afternoon tea. I thought they'd show more spirit. Don't talk to me about artists being gay and Bohemian after this." "Creatures of the night are we,.

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"I don't know," she said, in a stolid tone. "I know it!" she cried. "It makes even me feel as though I could turn off masterpieces instanter. Merely to look at those lumps of clay in the modeling room made me simply ache to get my hands into them. I was enchanted the moment I came in here with you this morning, never dreaming that I should be so lucky as to be one of the illustrious band myself. You're a perfect duck, Norn, to let me tag along after you here." Her eyes sought the pale pure outline of Elinor's profile, caught between the intervening faces, and held it during the brief explanatory speech, wherein Mr. Benton paid his tribute to Elinor's generous silence, and apologized in the name of the Board for the unjust accusation. She saw the wave of color sweep over it at the commendatory words, and the dark eyes fall under the shame of the hinted treachery of the unnamed student whose face was in every one's mind. Then at the next words she saw the light flash into full radiance, as Mr. Benton, with something in his extended hand, turned full toward Elinor where she sat. "Because it is a dangerous thing to handle. Although the poison is dried up, yet there may be enough in it to kill a man. If I parted with it and anyone was injured by it I should never forgive myself. Pray put it up, Maurice; I dislike to see you touch it. To-night, after dinner, I shall lock it up in a safe place. David is right; it should not be on the wall there.".