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As that long-suffering Mrs. Wopp wiped up the last traces of the chase she observed, “Moses’ footprints is twict as big as Betty’s, but hern is twict as many. They’ll shore git inter jist as much mischief, but Praise be! They’re both toein’ in the right d’rection.” The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear. The sound was an ominous warning to Moses, to finish his breakfast with all possible speed..

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Mrs. Wopp obligingly gave as an encore, “There were ninety and nine,” apropos of nothing whatever. Then turning to a portrait on the wall, she enlarged on the musical ability of a great-uncle from whom she reckoned she had received her gift of song. He tried to hold it from falling, but could not. It seemed as if his arms would be pulled out of their sockets. It would fall short—he must hold on to it, not let it strike below, for the noise would betray them too soon; and—the men in the wagon were passing! “We won’t have any shadow people to-night, darling.” Mrs. Bennett rose and turned on the lights, though it was not yet dark; drew the curtains, and punched the fire till a storm of sparks sputtered up the chimney. Moses’ intuition regarding St. Elmo’s retreat proved to be correct, and it was a sadly dejected countenance on which he gazed when he looked into the cave. Tears, dirt, and the juice of Saskatoon berries mingled on the fair sleeping face of the child, until he seemed to be the very Cree Indian he had so often personated in his play. His long curls were tangled and matted with small twigs. His diminutive brown velvet coat displayed a large rent in the elbow through which oozed a pathetic-looking suppuration of pink and white checked shirt..