It was on the morning they were leaving that a telegram was put into her hands. Mrs. Phillips was ill at lodgings in Folkestone. She hoped that Joan, on her way back, would come to see her. She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man.!

“And this is Hilda,” concluded Mrs. Phillips. “She ought to be in bed if she hadn’t a naughty Daddy who spoils her.” “Yah, socialist,” commented Madge, who was busy with the tea things.

Joan watched her as gradually she shaped herself out of the shadows: the poor, thin, fretful lady of the ever restless hands, with her bursts of jealous passion, her long moods of sullen indifference: all her music turned to waste. “You see, dear, I began when I was young,” she explained; “and he has always seen me the same. I don’t think I could live like this.” She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes.