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"She lives at Uphill Cottage, and lay in of a very fine baby a fortnight yesterday, and has done very poorly since. You cannot tell me how she does?" "What's he been doin' now, Bill?" asked Maurice as Billy and the crow joined him beside the root-house. "Now," she panted, having reached the limit of her strength, "you go upstairs with Willium and change clothes. Not another word, er I'll start in on you all over ag'in. Off you go, both o'you. And Willium," she called after them, "when you get into your own suit, don't you ferget to come here fer your scrubbin'.".
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Conrad
"Hush," cautioned Billy. "Ma's downstairs wide awake and she's awful cross. What you been doin' to rile her, Anse?" Jim Scroggie entered the school yard with his sister by his side. He paused a moment to let his eyes stray to the faces of the three hopefuls on the fence, conjecturing with a boy's intuition that in this trio he saw some of the ring-leaders of the school. Jim wore a smart tweed coat and knickerbockers, and a shirt of grey flannel with a soft silk tie. His sister, Lou, was dressed daintily in white, with soft blue collar that matched the glorious depths of her eyes. She smiled now, and the three on the fence immediately underwent a change of heart. Elgin Scraff was the first to slide down and approach the new boy in a spirit of fellowship. The several long perpendicular lines were possibly intended to represent the forest, but what was meant by the two vertical lines and the crosses directly beneath them Maurice did not know. Also there was a crudely drawn circle and, inside it, a small square. Maybe this was supposed to represent a hollow stump with a squirrel-trap in it, thought the perplexed Maurice. With a sigh of disgust he turned the paper over. Then his eyes brightened. Written there in Billy's cramped hand were these words and characters: "Stay all night with Maurice," invited Mrs. Keeler. "You an' him kin pile right into bed now and I'll bring you both a bowl of hot bread and milk.".
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