"Presumably to Poynton." "That of course hasn't made her love me better."!

"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" Mrs. Gereth slowly rose at this and, coming across the walk, took her young friend in her arms and kissed her. She then passed into one of Fleda's an arm perversely and imperiously sociable. "Let us move a little," she said, holding her close and giving a slight shiver. They strolled along the terrace, and she brought out another question. "He was eloquent, then, poor dear—he poured forth the story of his wrongs?"

Her visitor turned sharp round. "You can?" There was a light in his strong stare. "You can understand it's spoiling her temper and making her come down on me? She behaves as if I were of no use to her at all!" "I'm glad, then, it didn't arrive. Shouldn't you like him to go?" Fleda asked. How had Mrs. Gereth known in advance that if she had chosen to be "vile" (that was what Fleda called it) everything would happen to help her?—especially the way her poor father, after breakfast, doddered off to his club, showing seventy when he was really fifty-seven, and leaving her richly alone for the day. He came back about midnight, looking at her very hard and not risking long words—only making her feel by inimitable touches that the presence of his family compelled him to alter all his hours. She had in their common sitting-room the company of the objects he was fond of saying that he had collected—objects, shabby and battered, of a sort that appealed little to his daughter: old brandy-flasks and match-boxes, old calendars and hand-books, intermixed with an assortment of pen-wipers and ash-trays, a harvest he had gathered in from penny bazaars. He was blandly unconscious of that side of Fleda's nature which had endeared her to Mrs. Gereth, and she had often heard him wish to goodness there was something striking she cared for. Why didn't she try collecting something?—it didn't matter what. She would find it gave an interest to life, and there was no end of little curiosities one could easily pick up. He was conscious of having a taste for fine things which his children had unfortunately not inherited. This indicated the limits of their acquaintance with him—limits which, as Fleda was now sharply aware, could only leave him to wonder what the mischief she was there for. As she herself echoed this question to the letter she was not in a position to clear up the mystery. She couldn't have given a name to her errand in town or explained it save by saying that she had had to get away from Ricks. It was intensely provisional, but what was to come next? Nothing could come next but a deeper anxiety. She had neither a home nor an outlook—nothing in all the wide world but a feeling of suspense.