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"What a dismal view you take of my trip! Perhaps, in spite of your forebodings, I shall enjoy myself down to the ground, and weep copiously on leaving Irish soil." "Yes, that is just what occurred to me," says Mona, nodding her head sympathetically. "Certainly I shall not. It would be very mean, and I wonder at you to ask the question," says Mona, with a great show of virtuous indignation. "Besides," mischievously, "if you know, there is no necessity to tell you anything.".
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Mona is sitting in the morning-room, the faithful and ever lively Nolly at her side. According to his lights, she is "worth a ship-load of the whole lot," and as such he haunts her. But to-day she fails him. She is absent, depressed, weighed down with thought,—anything but congenial. She forgets to smile in the right place, says, "Yes" when courtesy requires "No," and is deaf to his gayest sallies. "Forgive me that I showed surprise. Your uncle is more advanced than I had supposed. He is right. Why should a pig be esteemed less lovely than a stag? Nature in its entirety can know no blemish. The fault lies with us. We are creatures of habit: we have chosen to regard the innocent pig as a type of ugliness for generations, and now find it difficult to see any beauty in it." Then Kŭt-o-yĭs´ spoke to all the living and said to them, "You who still draw a little breath try to move your heads in time to the song that I shall sing; and you who are still able to move stand up on your feet and dance. Take courage now; we are going to dance to the ghosts." "Oh—well—those thirty-five charming compatriots of Mona's who are now in the House of Commons, or, rather, out of it. It was a little tale that related to their expulsion the other night by the Speaker—and—er—other things.".
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