“No,” the child answered. “Mama had a headache this morning, and I slipped out. You’re not keeping your promise.” “I want your love,” she said to him one day. “It helps me. I used to think it was selfish of me to take it, knowing I could never return it—not that love. But I no longer feel that now. Your love seems to me a fountain from which I can drink without hurting you.”!

It would all fall out as she had intended. She would commence by becoming a power in journalism. She was reconciled now to the photograph idea—was even keen on it herself. She would be taken full face so that she would be looking straight into the eyes of her readers as she talked to them. It would compel her to be herself; just a hopeful, loving woman: a little better educated than the majority, having had greater opportunity: a little further seeing, maybe, having had more leisure for thought: but otherwise, no whit superior to any other young, eager woman of the people. This absurd journalistic pose of omniscience, of infallibility—this non-existent garment of supreme wisdom that, like the King’s clothes in the fairy story, was donned to hide his nakedness by every strutting nonentity of Fleet Street! She would have no use for it. It should be a friend, a comrade, a fellow-servant of the great Master, taking counsel with them, asking their help. Government by the people for the people! It must be made real. These silent, thoughtful-looking workers, hurrying homewards through the darkening streets; these patient, shrewd-planning housewives casting their shadows on the drawn-down blinds: it was they who should be shaping the world, not the journalists to whom all life was but so much “copy.” This monstrous conspiracy, once of the Sword, of the Church, now of the Press, that put all Government into the hands of a few stuffy old gentlemen, politicians, leader writers, without sympathy or understanding: it was time that it was swept away. She would raise a new standard. It should be, not “Listen to me, oh ye dumb,” but, “Speak to me. Tell me your hidden hopes, your fears, your dreams. Tell me your experience, your thoughts born of knowledge, of suffering.” She rose and replaced the chair. And suddenly a wave of pity passed over her for the dead woman, who had always seemed so lonely in the great stiffly-furnished house, and the tears came.

“She wouldn’t mind if she did,” explained Joan. “And you know what she’s like! How can one think what one’s saying with that silly, goggle-eyed face in front of one always.” “Or even Liverpool,” she laughed. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.