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At this moment Geoffrey comes into the room and up to Mona. He takes no notice whatever of her companion, "Mona, will you come and sing us something?" he says, as naturally as though the room is empty. "Nolly has been telling the duchess about your voice, and she wants to hear you. Anything simple, darling,"—seeing she looks a little distressed at the idea: "you sing that sort of thing best." "Bless my stars!" says Nolly; "you have been going it. That is the day on which she will receive no one but her chief pets. The duchess, when she comes down here, reverses the order of things. The rest have an 'at home' day. She has a 'not at home' day." But at this break in my history, almost as he forms this resolution, an event occurs that brings friends to Mona, and changes in toto the aspect of affairs..
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"I think Geoffrey owes those Divinity boys more than he can ever pay," says the duchess, very prettily. "You must come and see me soon, child. I am an old woman, and seldom stir from home, except when I am positively ordered out by Malcom, as I was to-night. Come next Thursday. There are some charming trifles at the old Court that may amuse you, though I may fail to do so." His tone, his emphasis on the pronoun, is significant. And then the young man came, and they saw that he was very dark, and very morose, and very objectionable. But he seemed to have more money than he quite know what to do with; and when he decided on taking a shooting-box that then was vacant quite close to the Towers, their indignation knew no bounds. And certainly it was execrable taste, considering he came there with the avowed determination to supplant, as lord and master, the present owner of the Towers, the turrets of which he could see from his dining room windows. "Nevertheless, let me hear it," says the duchess. "I cannot forget that your face is musical.".
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