She had once more disengaged herself, with the private vow that he shouldn't yet touch her again. It was all too horribly soon—her sense of this was rapidly surging back. "We mustn't talk, we mustn't talk; we must wait!" she intensely insisted. "I don't know what you mean by your freedom; I don't see it, I don't feel it. Where is it yet, where, your freedom? If it's real there's plenty of time, and if it isn't there's more than enough. I hate myself," she protested, "for having anything to say about her: it's like waiting for dead men's shoes! What business is it of mine what she does? She has her own trouble and her own plan. It's too hideous to watch her and count on her!" She asked no questions, but she took the most extraordinary things for granted. Fleda felt this still more at the end of a couple of days. On the second of these our young lady wrote to Owen; her emotion had to a certain degree cleared itself—there was something she could say briefly. If she had given everything to Mrs. Gereth and as yet got nothing, so she had on the other hand quickly reacted—it took but a night—against the discouragement of her first check. Her desire to serve him was too passionate, the sense that he counted upon her too sweet: these things caught her up again and gave her a new patience and a new subtlety. It shouldn't really be for nothing that she had given so much; deep within her burned again the resolve to get something back. So what she wrote to Owen was simply that she had had a great scene with his mother, but that he must be patient and give her time. It was difficult, as they both had expected, but she was working her hardest for him. She had made an impression—she would do everything to follow it up. Meanwhile he must keep intensely quiet and take no other steps; he must only trust her and pray for her and believe in her perfect loyalty. She made no allusion whatever to Mona's attitude, nor to his not being, as regarded that young lady, master of the situation; but she said in a postscript, in reference to his mother, "Of course she wonders a good deal why your marriage doesn't take place." After the letter had gone she regretted having used the word "loyalty;" there were two or three milder terms which she might as well have employed. The answer she immediately received from Owen was a little note of which she met all the deficiencies by describing it to herself as pathetically simple, but which, to prove that Mrs. Gereth might ask as many questions as she liked, she at once made his mother read. He had no art with his pen, he had not even a good hand, and his letter, a short profession of friendly confidence, consisted of but a few familiar and colorless words of acknowledgment and assent. The gist of it was that he would certainly, since Miss Vetch recommended it, not hurry mamma too much. He would not for the present cause her to be approached by any one else, but he would nevertheless continue to hope that she would see she must come round. "Of course, you know," he added, "she can't keep me waiting indefinitely. Please give her my love and tell her that. If it can be done peaceably I know you're just the one to do it."!

These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" "Then you think he lies when he tells you that he has recovered his liberty?"

"Back to the inn?" "Of course he doesn't know!" cried Fleda indignantly. "You've come down to it, miss, already?"