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"Again I fail to understand," says Paul; but his very lips grow livid. "Perhaps for the second time, and with the same delicacy you used at first, you will condescend to explain." The old woman went away, and after a time came back with one of the man's relations. He went with this relation to the ghosts' camp. When they came to the large lodge some one called out and asked the man what he was doing there, and he answered as the old woman had told him. As he passed on through the camp the ghosts tried to frighten him with many fearful sights and sounds, but he kept up a strong heart. "Well, but, after all, one can't be much of a friend if one can't sacrifice one's self sometimes for those one loves," says Mrs. Geoffrey, reproachfully. "You would have done it yourself in my place!".
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She lifts her luminous eyes to his, and regards him fixedly as she speaks, full of hopeful excitement. Her eyes have always a peculiar fascination of their own, apart from the rest of her face. Once looking at her, as though for the first time impressed with this idea, Geoffrey had said to her, "I never look at your eyes that I don't feel a wild desire to close them with a kiss." To which she had made answer in her little, lovable way, and with a bewitching glance from the lovely orbs in question, "If that is how you mean to do it, you may close them just as often as ever you like." She went on to say, "You stay here for a time and I will go over there to the ghosts' camp and try to bring back some of your relations who are there. If it is possible for me to bring them back, you may return there with them, but on the way you must shut your eyes. If you should open them and look about you, you would die. Then you would never come back. When you come to the camp you will pass by a big lodge and they will ask you, 'Where are you going and who told you to come here?' You must answer, 'My grandmother, who is standing out here with me, told me to come.' They will try to scare you; they will make fearful noises and you will see strange and terrible things, but do not be afraid." "Ah!" says Mona, springing to her feet, and turning to the door, as though to summon aid; but he stops her by a gesture. It seems such a direct running commentary on Mona's supposed ill deed that every one—as by a single impulse—looks up. Nolly and Jack Rodney exchange covert glances. But for the depression that reigns all round, I think these two would have given way to frivolous merriment..
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