"She wanted to know what right you had to meddle. She said you were not honest." CHAPTER X!

"The deuce knows what has become of it, Miss Vetch!" Owen cried. "It seemed all to go to pot as this horrid struggle came on." He was close to her now, and, with his face lighted again by the relief of it, he looked all his helpless history into her eyes. "As I saw you and noticed you more, as I knew you better and better, I felt less and less—I couldn't help it—about anything or any one else. I wished I had known you sooner—I knew I should have liked you better than any one in the world. But it wasn't you who made the difference," he eagerly continued, "and I was awfully determined to stick to Mona to the death. It was she herself who made it, upon my soul, by the state she got into, the way she sulked, the way she took things, and the way she let me have it! She destroyed our prospects and our happiness, upon my honor. She made just the same smash of them as if she had kicked over that tea-table. She wanted to know all the while what was passing between us, between you and me; and she wouldn't take my solemn assurance that nothing was passing but what might have directly passed between me and old Mummy. She said a pretty girl like you was a nice old Mummy for me, and, if you'll believe it, she never called you anything else but that. I'll be hanged if I haven't been good, haven't I? I haven't breathed a breath of any sort to you, have I? You'd have been down on me hard if I had, wouldn't you? You're down on me pretty hard as it is, I think, aren't you? But I don't care what you say now, or what Mona says, either, or a single rap what any one says: she has given me at last, by her confounded behavior, a right to speak out, to utter the way I feel about it. The way I feel about it, don't you know, is that it had all better come to an end. You ask me if I don't love her, and I suppose it's natural enough you should. But you ask it at the very moment I'm half mad to say to you that there's only one person on the whole earth I really love, and that that person—" Here Owen pulled up short, and Fleda wondered if it was from the effect of his perceiving, through the closed door, the sound of steps and voices on the landing of the stairs. She had caught this sound herself with surprise and a vague uneasiness: it was not an hour at which her father ever came in, and there was no present reason why she should have a visitor. She had a fear, which after a few seconds deepened: a visitor was at hand; the visitor would be simply Mrs. Gereth. That lady wished for a near view of the consequence of her note to Owen. Fleda straightened herself with the instant thought that if this was what Mrs. Gereth desired Mrs. Gereth should have it in a form not to be mistaken. Owen's pause was the matter of a moment, but during that moment our young couple stood with their eyes holding each other's eyes and their ears catching the suggestion, still through the door, of a murmured conference in the hall. Fleda had begun to make the movement to cut it short when Owen stopped her with a grasp of her arm. "You're surely able to guess," he said, with his voice dropped and her arm pressed as she had never known such a drop or such a pressure—"you're surely able to guess the one person on earth I love?" Owen came away from the fire and, apparently at a loss where to turn, ended by directing himself to one of the windows. "It's a little uncertain; the date isn't quite fixed."

"You had none," said Mrs. Gereth: "you were completely bewildered." Mrs. Gereth, a month after she had received her great shock, did something abrupt and extraordinary: she caught up her companion and went to have a look at Ricks. They had come to London first and taken a train from Liverpool Street, and the least of the sufferings they were armed against was that of passing the night. Fleda's admirable dressing-bag had been given her by her friend. "Why, it's charming!" she exclaimed a few hours later, turning back again into the small prim parlor from a friendly advance to the single plate of the window. Mrs. Gereth hated such windows, the one flat glass, sliding up and down, especially when they enjoyed a view of four iron pots on pedestals, painted white and containing ugly geraniums, ranged on the edge of a gravel-path and doing their best to give it the air of a terrace. Fleda had instantly averted her eyes from these ornaments, but Mrs. Gereth grimly gazed, wondering of course how a place in the deepest depths of Essex and three miles from a small station could contrive to look so suburban. The room was practically a shallow box, with the junction of the walls and ceiling guiltless of curve or cornice and marked merely by the little band of crimson paper glued round the top of the other paper, a turbid gray sprigged with silver flowers. This decoration was rather new and quite fresh; and there was in the centre of the ceiling a big square beam papered over in white, as to which Fleda hesitated about venturing to remark that it was rather picturesque. She recognized in time that this remark would be weak and that, throughout, she should be able to say nothing either for the mantelpieces or for the doors, of which she saw her companion become sensible with a soundless moan. On the subject of doors especially Mrs. Gereth had the finest views: the thing in the world she most despised was the meanness of the single flap. From end to end, at Poynton, there were high double leaves. At Ricks the entrances to the rooms were like the holes of rabbit-hutches. The handle of the door turned, and Fleda had only time to jerk at him: "Your mother!"