Mary seemed troubled. Evidently, as Miss Ensor had stated, advice was not her line. “Perhaps he’s got to do it, dearie,” she suggested. “It’s you women that make war,” he continued. “Oh, I don’t mean that you do it on purpose, but it’s in your blood. It comes from the days when to live it was needful to kill. When a man who was swift and strong to kill was the only thing that could save a woman and her brood. Every other man that crept towards them through the grass was an enemy, and her only hope was that her man might kill him, while she watched and waited. And later came the tribe; and instead of the one man creeping through the grass, the everlasting warfare was against all other tribes. So you loved only the men ever ready and willing to fight, lest you and your children should be carried into slavery: then it was the only way. You brought up your boys to be fighters. You told them stories of their gallant sires. You sang to them the songs of battle: the glory of killing and of conquering. You have never unlearnt the lesson. Man has learnt comradeship—would have travelled further but for you. But woman is still primitive. She would still have her man the hater and the killer. To the woman the world has never changed.”!

He kissed her, promising to take care of himself. Palace Yard, save for a statuesque policeman, was empty.

It was a summer’s evening; Joan had dropped in at the Greysons and had found Mary alone, Francis not having yet returned from a bachelor dinner at his uncle’s, who was some big pot in the Navy. They sat in the twilight, facing the open French windows, through which one caught a glimpse of the park. A great stillness seemed to be around them. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. “They do sometimes,” answered Hilda, “if you happen to be in the way, near the feeding troughs. If they’d only put all the refreshments into one room, one could avoid it. But they will scatter them about so that one never knows for certain whether one is in the danger zone or not. I hate a mob.”