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The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous. “Uh huh.” St. Elmo Mifsud, his angelic face framed in silky curls, now became the prey to the machinations of Pete Solway, who had eluded the vigilant eye of Mrs. Wopp during her dramatic recital. A roar of pain escaped the child as a sharp tweak was applied to his curls. Recalled to matters entirely mundane, the teacher administered severe reproof. “You’d best go an’ take her hoss, Moses,” directed Mr. Wopp. Then raising his voice he called, “Go right on into the house, Mis’ Mifsud. Lize has jist gone in from the garden.”.