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"We didn't many of us tell, you know," returned Elinor absently, with her eyes on Morgiana meekly following her master with the basket of fruit which was to be such a feature in her triumphant dance after the robbers had been boiled alive in their own panniers. "There's Margaret Howes. Isn't she lovely in that pomegranate and gold? What queer slippers she has—just like the ballet dancers. And there's Ali Baba with the forty thieves, all the portrait class men in a bunch.", Elinor hesitated. "I don't know," she replied slowly, measuring her words. "I can't put my finger on it, but she doesn't seem the same to me as she did at first. She isn't jealous of my poor work, of course, but I can feel a something—a wall or barrier—that she raises up between us whenever my work is spoken of. I felt it when we talked about the subject of the prize designs, and I felt it today more clearly than ever. We can't be friends any more as we were, I'm afraid. Something has come between us. 'The little rift within the lute,'" she quoted sorrowfully., Judith, with her cheeks flushing and paling and her composed tones carrying conviction, laid the story of her discoveries before them, telling them how she had thought of it first "for fun, like a plot for a story," and then how she had remembered that Doris Leighton had Elinor's keys with access to the locker where the two studies for the prize designs were left that night that Elinor was taken ill; how she had discovered through Doris' younger sister that Doris had made her study for the Roberts prize from a little rough color sketch "just like Elinor had.".