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He moves towards the door with "pride in his port, defiance in his eye," as Goldsmith would say.,

Meantime, Violet is having rather a bad time in the boudoir. Lady Rodney refuses to see light anywhere, and talks on in a disjointed fashion about this disgrace that has befallen the family.,

"What one of all the animals is the smartest?" the Sun went on. "It is the raven, for he always finds food; he is never hungry. Which one of all the animals is the most to be reverenced? It is the buffalo; of all the animals I like him best. He is for the people; he is your food and your shelter. What part of his body is sacred? It is the tongue; that belongs to me. What else is sacred? Berries. They too are mine. Come with me now and see the world.",

So determined is her aspect that Geoffrey shows the white feather, and, crying "mea culpa," beats a hasty retreat.

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Sinking into the cushioned embrasure of the window, Mona sits entranced, drinking in the beauty that is balm to her imaginative mind. The two dogs, with a heavy sigh, shake themselves, and then drop with a soft thud upon the ground at her feet,—her pretty arched feet that are half naked and white as snow: their blue slippers being all too loose for them.,

The son-in-law and his wives came home, bringing the meat, and after a little time they heard the child in the next lodge crying. The son-in-law said to his youngest wife, "Go over to your mother's and see whether that baby is a boy or a girl. If it is a boy, tell your parents to kill it.",

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

Fortunately this dagger refuses to be shaken from its hold. Mona, feeling that fair play is at an end, and that treachery is asserting itself, turns instinctively to her faithful allies the bloodhounds, who have risen, and, with their hair standing straight on their backs, are growling ominously.