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She turns involuntarily, through the innate courtesy that belongs to her race, to return his parting salutation, and, looking at him, sees a tiny spot of blood trickling down his forehead from the wound received awhile since. "Yes. You may bring it to me—to-morrow," returns she, with the faintest hesitation, which but enhances the value of the permission, whereon his heart once more knows hope and content. "Not so much so that I cannot help you to cross over in safety, if you will only trust yourself to me," replies he..
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Not long after this, once in the night, this man told his wife to do something, and when she did not begin at once he picked up a brand from the fire and raised it—not that he intended to strike her with it, but he made as if he would—when all at once she vanished and was never seen again. "You are all wet. Do go home and change your clothes," says Mona, who is still sitting on the grass with her gown spread carefully around her. "Or perhaps"-reluctantly—"it will be better for you to go to the farm, where Bridget will look after you." Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air. The chief ghost said to them, "Now pity this son-in-law of yours. He is looking for his wife. Neither the great distance that he has come nor the fearful sights that he has seen here have weakened his heart. You can see how tender-hearted he is. He not only mourns because he has lost his wife, but he mourns because his little boy is now alone, with no mother; so pity him and give him back his wife.".
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