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"It is like a fairy-tale," says Violet, with unwonted excitement. "Oh, Mona, tell us how you managed it." "Yet the Princess D—— always calls her train a 'tail,'" says Violet, turning on her piano-stool to make this remark, which is balm to Mona's soul: after which she once more concentrates her thoughts on the instrument before her, and plays some odd old-fashioned air that suits well the dance of which they have been speaking. "No, no; this is not a time to forsake one in trouble," says Mona, faithfully, but with a long, shivering sigh. "I need see nothing, but I must speak to Kitty.".

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Then Kŭt-o-yĭs´ entered the lodge, and when the man-eater saw him he called out, "Oki, oki!" (welcome, welcome!) and seemed glad to see him, for he was a fat young man. The man-eater took a knife and walked up to Kŭt-o-yĭs´ and cut his throat and put him into a great stone pot to cook. When the meat was cooked he pulled the kettle from the fire and ate the body, limb by limb, until it was all eaten. His tone, his emphasis on the pronoun, is significant. Three Bulls had several wives and many children, some of them grown and married. Gray hairs were now many in his head. His face wrinkles showed that old age was not far distant. No one supposed that he would ever take another wife; so when the news spread through the camp that he had asked the old medicine man for his daughter Mā-mĭn´, every one was surprised. When Red Robe heard the news his heart nearly broke. The old medicine man agreed to let the chief have the girl. He dared not refuse, nor did he wish to, for many good presents were to be given him in three days' time. When that was done, he told his daughter, she would be taken to the chief's lodge; let her prepare for the change. Mona, sinking languidly into a chair, turns the note over and over between her fingers, whilst wondering in a disjointed fashion as to whom it can be from. She guesses vaguely at the writer of it, as people will when they know a touch of the hand and a single glance can solve the mystery..