Mrs. Gereth was silent a moment; then "Nonsense!" she sharply replied. "Why, for you, of course, dearest friend!" Fleda interjected, falling instinctively into the address that embodied the intensest pressure. She wanted to put Mrs. Gereth between her and her danger.!

"You do mean literally everything, to the last little miniature on the last little screen?" Owen had been blank a moment before, but he followed this argument with success—a success so immediate that it enabled him to produce with decision: "Ah, she's not that sort! She wants them herself," he added; "she wants to feel they're hers; she doesn't care whether I have them or not! And if she can't get them she doesn't want me. If she can't get them she doesn't want anything at all."

Fleda shook her head wearily. "No—I was only in love with him!" She was fortunately not challenged, the hall being empty of the other women, who were engaged precisely in arraying themselves to that dire end. Once in the grounds, she recognized that, with a site, a view that struck the note, set an example to its inmates, Waterbath ought to have been charming. How she herself, with such elements to handle, would have taken the fine hint of nature! Suddenly, at the turn of a walk, she came on a member of the party, a young lady seated on a bench in deep and lonely meditation. She had observed the girl at dinner and afterwards: she was always looking at girls with an apprehensive or speculative reference to her son. Deep in her heart was a conviction that Owen would, in spite of all her spells, marry at last a frump; and this from no evidence that she could have represented as adequate, but simply from her deep uneasiness, her belief that such a special sensibility as her own could have been inflicted on a woman only as a source of anguish. It would be her fate, her discipline, her cross, to have a frump brought hideously home to her. This girl, one of the two Vetches, had no beauty, but Mrs. Gereth, scanning the dullness for a sign of life, had been straightway able to classify such a figure as the least, for the moment, of her afflictions. Fleda Vetch was dressed with an idea, though perhaps with not much else; and that made a bond when there was none other, especially as in this case the idea was real, not imitation. Mrs. Gereth had long ago generalized the truth that the temperament of the frump is amply consistent with a certain usual prettiness. There were five girls in the party, and the prettiness of this one, slim, pale, and black-haired, was less likely than that of the others ever to occasion an exchange of platitudes. The two less developed Brigstocks, daughters of the house, were in particular tiresomely "lovely." A second glance, this morning, at the young lady before her conveyed to Mrs. Gereth the soothing assurance that she also was guiltless of looking hot and fine. They had had no talk as yet, but this was a note that would effectually introduce them if the girl should show herself in the least conscious of their community. She got up from her seat with a smile that but partly dissipated the prostration Mrs. Gereth had recognized in her attitude. The elder woman drew her down again, and for a minute, as they sat together, their eyes met and sent out mutual soundings. "Are you safe? Can I utter it?" each of them said to the other, quickly recognizing, almost proclaiming, their common need to escape. The tremendous fancy, as it came to be called, that Mrs. Gereth was destined to take to Fleda Vetch virtually began with this discovery that the poor child had been moved to flight even more promptly than herself. That the poor child no less quickly perceived how far she could now go was proved by the immense friendliness with which she instantly broke out: "Isn't it too dreadful?" "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"