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Captain Acton told Paul to fetch some, and the wild, deformed creature of the forest, as Lucy had called him, sped from the cabin on the errand.,

"And you, too," he whispered. "With all this, I have you, too.",

"Did it, Billy, did it? And is my face turned towards it now, Billy?",

"He was awful interested, an' asked me to show him the fenced-in well. So we took 'cross the fields an' he saw it. He went all around the walls an' even climbed up one side of 'em, an' looked over. When he came down he said: 'Jest as I thought, Billy. That explosion you spoke of was a charge of nitro glycerine.' We struck back fer the road an' I guess he was thinkin' hard, 'cause he didn't talk any more. Then, as we was climbin' the fence to the road he asks: 'What kind of a chap is this man, Hinter, Billy?"

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"God love ye, byes," he cried, "it's a foine pair ye are, an' no mistake; so it's sick y've been, Maurice?",

She ran to the side of what may be called the litter, and looked down upon the face that rested upon a bolster. She clasped her hands. She compressed her lips. No exclamation escaped her, but one saw in her beautiful face the expression of that deep pity which is ever the attendant of love where sorrow is or suffering.,

At six o'clock, greatly wearied, Captain Acton mounted his mare at "The Swan" stables and rode home. He was very pale. Indeed this man loved his daughter, who was his only child. His immediate question, put with bright-eyed passion to the servant who came to the door, was, "Has Miss Lucy returned?",

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.