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The cold seems hardly to touch Mona, so wrapped she is in the beauties of the night. There is at times a solemn indefinable pleasure in the thought that we are awake whilst all the world sleepeth; that we alone are thinking, feeling, holding high communion with our own hearts and our God. And in truth the "claning" occupies a very short period,—or else Mona and Geoffrey heed not the parting moments. For sometimes "Yet remember, darling, whatever comes of it," says Rodney, earnestly, "that you are more to me than all the world,—my mother included. So do not let defeat—if we should be defeated—cast you down. Never forget how I love you." In his heart he dreads for her the trial that awaits her..

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"There is no need for regret, darling," says he. "I am heart-whole, and I know no woman that loves me, or for whose affection I should ask, except yourself." "I mean that she shall remain just as she is. The world may be 'given to lying,' as Shakspeare tells us, but I will not have Mona tutored into telling fashionable falsehoods," says this intrepid young man facing his mother without a qualm of a passing dread. "A lie of any sort is base, and a prevarication is only a mean lie. She is truthful, let her stay so. Why should she learn it is the correct thing to say she is not at home when she is, or that she is suffering from a foolish megrim when she isn't? I don't suppose there is much harm in saying either of these things, as nobody ever believes them; but—let her remain as she is." "I'll see about it. And, oh, Geoffrey, I do hope you will like me in it, and think me pretty," she says, anxiously, half fearful of this gown that is meant to transform a "beggar maid" into a queen fit for "King Cophetua." At least such is her reading of the part before her. Then the young man spoke and asked, "Why is this? Why do you not give me food?".