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Behind the Mifsuds followed a few other parishioners. “Here, here! You mustn’t do that,” Billy gently coaxed, rising and taking her hand. “You’ll make me draw salt water, too. And it don’t help, you know. I’ll tell you what—you can work some, gather the flowers. I’ll show you how. Mother puts ’em fresh in all the rooms for Sunday.” He bustled her up the terrace steps, brought scissors and basket, and, starting her on her pleasant task, began to mow the lawn. “What’s next?”.
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Conrad
In the house, meanwhile, affairs were proceeding quite as happily as those out of doors. The hostess fluctuated between the parlor and kitchen. She was preparing a repast not only for the workers present, but also for the men-folk who would presently arrive to take them to their respective homes. Excused from quilting, she nevertheless managed to spend considerable time with her guests. Mrs. Mifsud was a lady who aspired to literary attainments. She had read “Beulah,” “Vashti,” “Lucile,” “St. Elmo” and many other books of like calibre. She felt that her talents were practically wasted, living in what she termed a desert, yet she strove, when occasion offered, by elegance of deportment and conversation to enhance her gifts. She often spoke tenderly of the late Mr. Mifsud who, in spite of the fact that his face had been adorned with bristling side-whiskers of an undeniable red, had shown in other ways some signs of intelligence and feeling. He had been carried off by the shingles. According to Mrs. Mifsud’s account, her deeply-lamented spouse had considered the tall attenuated form of his wife “willowy,” her long thin black hair “a crown of glory,” her worn narrow countenance with its sharp nose and coal-black eyes, “seraphic.” “I’ll give you spalpeens something to laugh over!” threatened the injured one, as he brushed the snow and dust from his hat. Then he slowly went on looking back at the unyielding glacier-like surface of the sidewalk. “No ‘chase’ to-day, girls. I’ve got business in town.” In a few days the sight of his wife wrapped in a shawl the color of an unripe cucumber had a rejuvenating influence upon Ebenezer Wopp. He did not say much, being a man of few words, but his sentiments were inscribed in cramped illegible writing on a slip of paper to be handed down to posterity..
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