CHAPTER XVII A middle-aged sergeant, who had a wound in the stomach and was sitting up in his bed, looked across. “There was a line of Germans came upon us,” he said, “at Bras. I thought I must be suffering from a nightmare when I saw them. They had thrown away their rifles and had all joined hands. They came dancing towards us just like a row of ballet girls. They were shrieking and laughing, and they never attempted to do anything. We just waited until they were close up and then shot them down. It was like killing a lot of kids who had come to have a game with us. The one I potted got his arms round me before he coughed himself out, calling me his ‘liebe Elsa,’ and wanting to kiss me. Lord! You can guess how the Boche ink-slingers spread themselves over that business: ‘Sonderbar! Colossal! Unvergessliche Helden.’ Poor devils!”!

“Don’t give me ideas above my station,” laughed Joan. “I’m a journalist.” In the street she paused a moment and looked back through the railings. It seemed even still more sordid in the daylight: the sooty grass and the withered shrubs and the asphalte pathway strewn with dirty paper. And again a laugh she could not help broke from her. Her Garden of Gethsemane!

He drove her back to Paris, and she promised to come and see him in his studio and let him introduce her to his artist friends. It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away. A land where man died, and vermin increased and multiplied. Vermin on your body, vermin in your head, vermin in your food, vermin waiting for you in your bed; vermin the only thing that throve, the only thing that looked at you with bright eyes; vermin the only thing to which the joy of life had still been left.