Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.,
“Oh, please, mister, sir, don’t hurt Bouncer. I’d rather you’d hit me. He’s the best dog ever lived, and I won’t let you hurt him.” Her courage grew as she spoke, and he stopped his search and glanced her way. She looked up, bravely pleading for the dog she hugged harder.,
“I guess Nancy’s got tired wartchin’ fer the gopher to come out,” remarked Betty, presently. “She’s left her job an’ gone away. P’raps she thinks she can git a mouse in the barn easier.”.
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