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Betty, orphaned at the age of six, had been adopted by the kind-hearted Mrs. Wopp. The child found her chief joy in life, outside of Jethro, Nancy and Job, in a flower-bed. A small plot of ground had been allotted her for her own use, and there every spring for the last four years her precious flowers had bloomed and had filled her eyes with brightness and her soul with gladness. Morning-glories and nasturtiums were the surest to bloom. They climbed the strings so gracefully and turned the old weather-beaten fence where they grew into a tapestry of gorgeous dyes.,
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Moses stared, wondering at this unusual compliment.,
What delightfully busy and secret evenings Betty spent in the kitchen with Mrs. Wopp helping and expostulating! What dismal sighs from Moses who, like the Marchioness, cooled his eye at the keyhole! His sighs penetrated through the said keyhole and almost softened the obdurate Betty; but, alas, his eavesdropping ended only in whetting the edge of his curiosity! What yelps from Jethro when Moses trod on his foot in headlong flight from the door as his mother approached! What copious notes written by Ebenezer Wopp on the whispering and conspiracies in the kitchen! And then again what sweeping up and burning of cardboard, what hunting through old newspapers and magazines, and what clicking of scissors while a small pair of jaws worked simultaneously! What gorgeous hues from the paint-box as Betty mixed her colors and painted innumerable pictures cut from the magazines! Animals, birds, flowers! Gay as color could make them! A veritable garden and zoo turned loose in the kitchen!
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“What song would you like, Betty?”,
Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.,
Mr. Wopp in the meantime had seated himself on the other side of Betty and was busy taking notes on the dance then in progress. “It was so interestin” he said, “and the poetry might come in handy.” The dance was called “Captain Jinks.”,
“Can’t stop. It’s private anyway.” He waved his hand, ran across the foot-bridge and down the road, dodged into the brush for his wheel; and in a moment they heard his shout as he sped by toward town.
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The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.
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“Don’t stan’ there fillin’ the doorway like a bung in a barrel, Moses,” reprimanded Mrs. Wopp. “That boy’s gone clean petrified. Go an’ fetch the lamp, it air giftin’ so dark I can’t tell which is Glory an’ which is Miss Gordon.”
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>“Aint Miss Gordon a lovely dancer?” she interrogated, “and aint she lovely herself? I’ve been watollin’ you an’ her dance all evenin’. Moses says he’s almost wore out one eye lookin’ at you both. He says he don’t go in strong fer teachers, but he thinks Miss Gordon is worth an eyestrain anyways.”
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