Owen sat there a minute staring at her. "Ah, you're beautiful, more beautiful than any one," he broke out, "but I'll be hanged if I can ever understand you! On Tuesday, at your father's, you were beautiful—as beautiful, just before I left, as you are at this instant. But the next day, when I went back, I found it had apparently meant nothing; and now, again, that you let me come here and you shine at me like an angel, it doesn't bring you an inch nearer to saying what I want you to say." He remained a moment longer in the same position; then he jerked himself up. "What I want you to say is that you like me—what I want you to say is that you pity me." He sprang up and came to her. "What I want you to say is that you'll save me!" "Did he seem very angry?"!

Fleda was mystified. "People surely knew at Poynton," she objected, "if, as you say, she's there." "To act, to take means."

The question had not come up with this definiteness before, and Mrs. Gereth was clearly more surprised than ever. She marveled a moment. "Not even to have Poynton?" "That gives me a pull!" Fleda returned, smiling. Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.