"The one I've already made so clear to you: my having it in black and white, as you may say, from her that she freely gives him up." "For you, of course—to entreat me to give you up. She thinks me awfully designing—that I've taken some sort of possession of you."!

"What did she mean by that?" "Not even to have Poynton."

Fleda had got up; she took a turn round the room. "You 'required' the very best pieces—the morceaux de musée, the individual gems!" That did for the time, and she had moreover, as the months went on, the protection of suspended allusions. This protection was marked when, in the following November, she received a letter directed in a hand at which a quick glance sufficed to make her hesitate to open it. She said nothing, then or afterwards; but she opened it, for reasons that had come to her, on the morrow. It consisted of a page and a half from Owen Gereth, dated from Florence, but with no other preliminary. She knew that during the summer he had returned to England with his wife, and that after a couple of months they had again gone abroad. She also knew, without communication, that Mrs. Gereth, round whom Ricks had grown submissively and indescribably sweet, had her own interpretation of her daughter-in-law's share in this second migration. It was a piece of calculated insolence—a stroke odiously directed at showing whom it might concern that now she had Poynton fast she was perfectly indifferent to living there. The Morning Post, at Ricks, had again been a resource: it was stated in that journal that Mr. and Mrs. Owen Gereth proposed to spend the winter in India. There was a person to whom it was clear that she led her wretched husband by the nose. Such was the light in which contemporary history was offered to Fleda until, in her own room, late at night, she broke the seal of her letter. "Did he seem very angry?"