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Two tears gather, and roll slowly down Mona's white cheeks. And then somehow her thoughts wander back to the old farmhouse at the side of the hill, with the spreading trees behind it, and to the sanded floor and the cool dairy, and the warmth of the love that abounded there, and the uncle, who, if rough, was at least ready to believe her latest action—whatever it might be—only one degree more perfect than the one that went before it. "Violet, you may as well tell them all now as at any other time," he says, persuasively. "I wouldn't have suited her at all," says Geoffrey. "I should have bored her to extinction, even if she had condescended to look at me, which I am sure she never would.".

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"I have indeed misunderstood you in many ways." This is unkind, and the emphasis makes it even more so. "Norah, if the butter is finished, you can go and feed the calves." There is a business-like air about her whole manner eminently disheartening to a lover out of court. "That puts an end to everything," she says, in a dreadful little voice that goes to his heart, "at once. I could never face any one with a title. What will she say when she hears you are going to marry a farmer's niece? It is shameful of you," says Mona, with as much indignation as if the young man opposite to her, who is making strenuous but vain efforts to speak, has just been convicted of some heinous crime. "It is disgraceful! I wonder at you! That is twice you have deceived me." "Perhaps, as you have been so good at your first guess you will try again," says Mona, still addressing Nicholas, and speaking in a tone of unusual light-heartedness, but so standing that no one can see why her hands are so persistently clasped behind her back. "Now tell me who I was with." "Must you really go, Geoffrey?—really?" asks Mona, miserably, looking the very personification of despair. She has asked the same question in the same tone ever since early dawn, and it is now four o'clock..