Owen, as if in quest of his umbrella, looked vaguely about the hall—looked even wistfully up the staircase—while the neat young woman complied with Fleda's request. Owen's eyes then wandered out of the open door. "I think it's awfully nice here," he observed; "I assure you I could do with it myself." "Gone?" She was in the man's hands; she clung to him.!

"Where did you separate?" Fleda asked. "Naturally I want my own house, you know," he said, "and my father made every arrangement for me to have it. But she may make it devilish awkward. What in the world's a fellow to do?" This it was that Owen wanted to know, and there could be no better proof of his friendliness than his air of depending on Fleda Vetch to tell him. She questioned him, they spent an hour together, and, as he gave her the scale of the concussion from which he had rebounded, she found herself saddened and frightened by the material he seemed to offer her to deal with. It was devilish awkward, and it was so in part because Owen had no imagination. It had lodged itself in that empty chamber that his mother hated the surrender because she hated Mona. He didn't of course understand why she hated Mona, but this belonged to an order of mysteries that never troubled him: there were lots of things, especially in people's minds, that a fellow didn't understand. Poor Owen went through life with a frank dread of people's minds: there were explanations he would have been almost as shy of receiving as of giving. There was therefore nothing that accounted for anything, though in its way it was vivid enough, in his picture to Fleda of his mother's virtual refusal to move. That was simply what it was; for didn't she refuse to move when she as good as declared that she would move only with the furniture? It was the furniture she wouldn't give up; and what was the good of Poynton without the furniture? Besides, the furniture happened to be his, just as everything else happened to be. The furniture—the word, on his lips, had somehow, for Fleda, the sound of washing-stands and copious bedding, and she could well imagine the note it might have struck for Mrs. Gereth. The girl, in this interview with him, spoke of the contents of the house only as "the works of art." It didn't, however, in the least matter to Owen what they were called; what did matter, she easily guessed, was that it had been laid upon him by Mona, been made in effect a condition of her consent, that he should hold his mother to the strictest accountability for them. Mona had already entered upon the enjoyment of her rights. She had made him feel that Mrs. Gereth had been liberally provided for, and had asked him cogently what room there would be at Ricks for the innumerable treasures of the big house. Ricks, the sweet little place offered to the mistress of Poynton as the refuge of her declining years, had been left to the late Mr. Gereth, a considerable time before his death, by an old maternal aunt, a good lady who had spent most of her life there. The house had in recent times been let, but it was amply furnished, it contained all the defunct aunt's possessions. Owen had lately inspected it, and he communicated to Fleda that he had quietly taken Mona to see it. It wasn't a place like Poynton—what dower-house ever was?—but it was an awfully jolly little place, and Mona had taken a tremendous fancy to it. If there were a few things at Poynton that were Mrs. Gereth's peculiar property, of course she must take them away with her; but one of the matters that became clear to Fleda was that this transfer would be immediately subject to Miss Brigstock's approval. The special business that she herself now became aware of being charged with was that of seeing Mrs. Gereth safely and singly off the premises.

The back road had apparently been fatiguing to Mrs. Gereth; she rose there rather white and wan with her walk. A certain sharp thinness was in her ejaculation of "Oh!"—after which she glanced about her for a place to sit down. The movement was a criticism of the order of events that offered such a piece of news to a lady coming in tired; but Fleda could see that in turning over the possibilities this particular peril was the one that during the last hour her friend had turned up oftenest. At the end of the short, gray day, which had been moist and mild, the sun was out; the terrace looked to the south, and a bench, formed as to legs and arms of iron representing knotted boughs, stood against the warmest wall of the house. The mistress of Ricks sank upon it and presented to her companion the handsome face she had composed to hear everything. Strangely enough, it was just this fine vessel of her attention that made the girl most nervous about what she must drop in. "Quite a 'demand,' dear, is it?" asked Mrs. Gereth, drawing in her cloak. "To send them back—to keep it quiet." The girl had not felt the impulse to ask him to sit down among the monuments of his wrong, so that, nervously, awkwardly, he fidgeted about the room with his hands in his pockets and an effect of returning a little into possession through the formulation of his view. "To have them packed and dispatched again, since she knows so well how. She does it beautifully"—he looked close at two or three precious pieces. "What's sauce for the goose is sauce for the gander!" Mrs. Gereth hesitated. "How do you know what has happened? You don't know what I said to him."