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As the evening wore on Mrs. Wopp, Mrs. Stephens and a few other ladies adjourned to a box stall where the refreshments were stored. Pleased with the prospect of dispensing lavish hospitality from the combined larders of the neighborhood, Mrs. Wopp’s face radiated cheerfulness.,

But the moment of frolic passed, and he turned to her with shining face. “You’re the only mother I ever had—so far as I know—” his eyes danced; “anyway, you’re the only one in sight, an’ a heap too good for this guy; I guess—I’ll—I’ll mind.”,

“Why, Billy? I don’t believe in whipping unless all else fails.”,

After setting her white bouquet on the large dining-table, Betty again hastened to her beloved garden and began weeding where her ministrations were needed. As she worked, she hummed “Sweet and Low” softly to herself. The school children had lately learned to sing it.

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“Now, Moses, look sharp. Quit yer foolin’ an’ git busy,” called Mrs. Wopp, to the son and heir, whose toilet was not even begun. She herself was busy braiding Betty’s fair hair. “Be sure to warsh yer neck an’ ears. Larst party we was to, Mis’ Williams says to me, she says, ‘Is that your Moses settin’ on that bench? La me! he seems darker complected than I ever seed him before. I thort he were some Arfrican,’ she says. I hev always been a godly woman, Moses, ef I do go to a dance now an’ agin. Anyhow, the good book says there is a time to dance, but it aint got no patience with dirt. Git yerself cleaned up, then go an’ hook up the team.”,

He decided to go first on the mountain and set his traps for rabbits; also to mark the bounds for the “chase,” so that they could gather on time at the island and go on with the second canto. If they didn’t “do” two cantos a day they wouldn’t finish; for Friday must be given to school. As it was some of them had to be at the school house each day at three to rehearse for the “last day” exercises.,

“That’s you, papa,” Clarence piped, as an anxious post warning.,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.