"They'll read it first," said Mrs. Gereth. Fleda felt the full need of giving a reason for her departure; but at first she only said with cheerful frankness: "I departed."!

"I?—" The inquiry seemed to have moved him to stupefaction. "Can you ask me that question when I only wanted to please you? Didn't you seem to show me, in your wonderful way, that that was exactly how? I didn't break off just on purpose to leave it to her. I didn't break off so that there shouldn't be a thing to be said against me." "Certainly I shall not mention Mona," Fleda said, "and there won't be the slightest necessity for it. The wrong's quite sufficiently yours, and the demand you make is perfectly justified by it."

"Why, of any reviving pleasure that one might feel in such an exhibition. I shall feel none at all. You may personally take it as you like; but what conceivable good will it do?" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "Of course there are many things she hasn't taken," Fleda continued.