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“Here Mosey,” said Betty, “is a tin crown. You can fasten it on with this wire. See?” “This,” said Betty, showing the picture of a robin, “is a wormivorious bird.” Henry, the rooster, from his vantage point on a beam crowed lustily, but Betty ignored his remark. “Not many of us would, Mrs. Wopp,” remarked Mrs. Bliggins, a small fair woman with a round placid countenance. “What with cookin’, an’ washin’, an’ cleanin’, an’ buttermakin’, an’ hundreds of other things, there’s not much time for fancy work.”.
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Conrad
Billy went on with his rubbing, and his next words were comically resigned. “Besides, I suppose I’ll have to get married some day; of course she’ll be a new woman; might as well learn housework now.” “Billy! You said you weren’t hurt, but you are!” Alarmed, she rose and switched on the light, pulled off the bandage, and turned faint at the wreck of the bright, clean boy who had left her that afternoon. “My boy! You’re dreadfully hurt! I must send for Doctor Carter, and—” “Are you hurt?” Billy spelled with the hand alphabet every boy and girl knows. The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores..
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