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"Very well: show him in here," says Mona, very distinctly, going on with the printing of her butter with a courage that deserves credit. There is acrimony in her tone, but laughter in her eyes. While acknowledging a faint soreness at her heart she is still amused at his prompt, and therefore flattering, subjection. The young bear went over to where the meat was hanging and stood up and began to pull it down. Kŭt-o-yĭs´ went out of the lodge and said, "Wait; wait! What are you doing, taking the old women's meat?" And now Mona knows no more nervousness, but with a steady and practised hand binds up his arm, and when all is finished pushes him gently (very gently) from her, and "with heart on her lips, and soul within her eyes," surveys with pride her handiwork..
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"You will give me an explanation at once," says Geoffrey, slowly, addressing his cousin. "What brought you here?" "But surely until then Mona may lay claim to the title," says Violet, quickly. Presently he closes his fingers upon hers, and looking up, she sees his lips are moving, though no sound escapes them. Leaning over him, she bends her face to his and whispers softly,— Perhaps, just at first, surprise is too great to permit of his feeling either astonishment or indignation. He looks from Paul Rodney to Mona, and then from Mona back to Rodney. After that his gaze does not wander again. Mona, running to him, throws herself into his arms, and there he holds her closely, but always with his eyes fixed upon the man he deems his enemy..
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