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"Misfortunes seem to crowd upon us," says Lady Rodney, bitterly. "What have you got behind your back?" says Geoffrey, suddenly, going up to her. In ignorance of the fact that Geoffrey has been hurt in the fray, she lays her hand upon the injured arm. Instinctively he shrinks from the touch..
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Whereupon he goes "without," which means to his own hall-door that always stands wide open, and there acknowledges the presence of Mickey or Dinny, as the case may be, with a gracious nod. Mickey instantly removes his caubeen and tells "his honor" (regardless of the fact that his honor can tell this for himself) that "it is a gran' fine day," which as a rule is the first thing an Irish person will always say on greeting you, as though full of thankfulness to the powers above, in that sweet weather has been given. Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it. "I really don't know, ma'am. Mitchell gave it to me," says the girl, in an injured tone. Now, Mitchell is Lady Rodney's maid. "Is that the girl who spoke to you, Geoffrey, at the tea room door?" asks Mona, with some animation..
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