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In about ten minutes after Paul had made his report, Mr Lawrence told him to knock on Miss Acton's cabin door and enter. This time the door swung to and fro, and Mr Lawrence, who had turned in his seat to follow the steward's movements, saw Miss Acton upon all fours upon the deck with her face close to the tray, as though she was taking up the food with her mouth. A swing of the vessel hove the door to its latch, and hid the extraordinary picture. The girl's eyes grew wider and wider with wonderment. "Isn't it strange?" she half whispered, "and beautiful?" "Mr Greyquill!" cried Captain Acton..

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"Well I didn't. Them two marks are symbols, signifyin' a gap." "But, Billy," she remonstrated, "they'll be expecting you to bring some ducks home, you know." "You will be very clever. I wish I could learn how to effect ends in the same way," were Nelson's closing words, as, saluting the people on the deck of the Aurora once more, he stepped back and disappeared, followed by a storm of cheers from the men of the Aurora, in which the Admiral and Captain Acton heartily joined, whilst Lucy flourished her pocket-handkerchief, though her hero was out of sight. This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation..