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Once she had seen a moving picture show. It was a marvellous experience to her and had filled her dreams for many nights. She now decided to have a little moving picture show of her own. “Moses, you git to the barn an’ hunt the aigs, an’ min’ you look in the haystack; that ole yaller hen has been wantin’ ter set in the nigh corner of it.” “You bet it’s work! ’Specially when she gets hold of a cub like me.”.
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Conrad
Billy knew by sight the two Italians who lived there, brothers yet enemies. Each dwelt by himself in a corner of the great building.Each cultivated alone his share of the straggling vineyard on the heights above, too steep and rocky for a plough; though the lush acres on the river bottom went fallow. If either overstepped his bounds they fought. Billy had seen one of these encounters; and the fierce fire in their dark faces, the passion in the foreign words they spoke,—oaths the boy felt they must be,—sent him flying home, tinged his dreams for many a night. A liberal application of shoe paste furnished the unfortunate victim with a startling pair of jet-black eyebrows, nearly an inch in depth. Appalled at what he saw, Moses drew from his pocket a grimy handkerchief. Dampening one corner of it in his mouth, the most expeditious thing to do under the circumstances, he carefully wiped around the outside of these funereal bands, reducing them slightly in size but also straightening their edges. A haughty toss of the head was all the reply vouchsafed to this brotherly jibe. Visitors! He saw them through the window. Every step was growing more painful,—he must get to his room. The space from the woodshed roof to the tower room, before so easily surmounted by a swinging jump, looked now as high and far as Mount Whitney. Back to the window he turned. The firelight was dancing on the walls. Sister Edith was talking gayly to neighbors who were standing near the door, and May Nell was snuggled beside his mother on the couch, the great yellow cat, or a part of him, sprawling on her small lap..
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