Fleda winced at what he knew; she made a wild gesture which seemed to whirl it out of the room. The mere allusion was like another embrace. "You know nothing—and you must go and wait! You mustn't break down at this point." "I never thought she was weak," Fleda answered. She looked vaguely round the room with a new purpose: she had lost sight of her umbrella.!

It was part of the great rupture and an effect of Mrs. Gereth's character that up to this moment she had been completely and haughtily indifferent to that detail. Now, however, she had a visible reason for being clear about it. She bethought herself and she broke out—"Isn't the day past?" Then, stopping short, she added: "Upon my word, they must have put it off!" As Fleda made no answer to this she sharply went on: "Have they put it off?" Owen held her hand very firmly and kept it even after an effort made by her to recover it—an effort not repeated, as she felt it best not to show she was flurried. That solution—of her living with him at Ricks—disposed of him beautifully, and disposed not less so of herself; it disposed admirably too of Mrs. Gereth. Fleda could only vainly wonder how it provided for poor Mona. While he looked at her, grasping her hand, she felt that now indeed she was paying for his mother's extravagance at Poynton—the vividness of that lady's public plea that little Fleda Vetch was the person to insure the general peace. It was to that vividness poor Owen had come back, and if Mrs. Gereth had had more discretion little Fleda Vetch wouldn't have been in a predicament. She saw that Owen had at this moment his sharpest necessity of speech, and so long as he didn't release her hand she could only submit to him. Her defense would be perhaps to look blank and hard; so she looked as blank and as hard as she could, with the reward of an immediate sense that this was not a bit what he wanted. It even made him hang fire, as if he were suddenly ashamed of himself, were recalled to some idea of duty and of honor. Yet he none the less brought it out. "There's one thing I dare say I ought to tell you, if you're going so kindly to act for me; though of course you'll see for yourself it's a thing it won't do to tell her." What was it? He made her wait for it again, and while she waited, under firm coercion, she had the extraordinary impression that Owen's simplicity was in eclipse. His natural honesty was like the scent of a flower, and she felt at this moment as if her nose had been brushed by the bloom without the odor. The allusion was undoubtedly to his mother; and was not what he meant about the matter in question the opposite of what he said—that it just would do to tell her? It would have been the first time he had said the opposite of what he meant, and there was certainly a fascination in the phenomenon, as well as a challenge to suspense in the ambiguity. "It's just that I understand from Mona, you know," he stammered; "it's just that she has made no bones about bringing home to me—" He tried to laugh, and in the effort he faltered again.

"It wasn't with me you were in love, my duck." Then Mrs. Gereth added: "I'll go and tell him." "I believe you will, if you look at her like that!" Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.