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"I am always so glad when the post doesn't arrive in time for breakfast," Doatie is saying gayly. "Once those horrid papers come, every one gets stupid and engrossed, and thinks it a positive injury to have to say even 'yes' or 'no' to a civil question. Now see how sociable we have been this morning, because that dear Jacob is late again. Ah! I spoke too soon," as the door opens and a servant enters with a most imposing pile of letters and papers.,

Behind her rises a tall shrub of an intense green, against which the soft whiteness of her satin gown gleams with a peculiar richness. Her gaze is fixed upon a distant planet that watches her solemnly through the window from its seat in the far-off heaven, "silent, as if it watch'd the sleeping earth.",

"You were right," said the young man. "This is surely the person who has hidden the buffalo.",

Paul Rodney, standing where she has left him, watches her retreating figure until it is quite out of sight, and the last gleam of the crimson silk handkerchief is lost in the distance, with a curious expression upon his face. It is an odd mixture of envy, hatred, and admiration. If there is a man on earth he hates with cordial hatred, it is Geoffrey Rodney who at no time has taken the trouble to be even outwardly civil to him. And to think this peerless creature is his wife! For thus he designates Mona,—the Australian being a man who would be almost sure to call the woman he admired a "peerless creature."

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The postman himself is an institution in the village, being of an unknown age, in fact, the real and original oldest inhabitant, and still with no signs of coming dissolution about him, thereby carrying out Dicken's theory that a dead post-boy or a dead donkey is a thing yet to be seen. He is a hoary-headed old person, decrepit and garrulous, with only one leg worth speaking about, and an ear trumpet. This last is merely for show, as once old Jacob is set fairly talking, no human power could get in a word from any one else.,

"But why should night produce melancholy?" says Nicholas, dreamily. "It is but a reflection of the greater light, after all. What does Richter call it? 'The great shadow and profile of day.' It is our own morbid fancies that make us dread it.",

"Yes,—and miserable! you forget to add that. Now everything seems squared. In the grave neither grief nor revenge can find a place. And as for you, what have you to do with my fate?—nothing. What should you not return to me my own? and why should I not die by the weapon I had dared to level against yourself? There is a justice in it that smacks of Sadlers' Wells.",

"Very well, then: we will make the attempt," says he, gayly. "'Nothing venture, nothing have.'"