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"But you told me no maiden aunt had ever come to your assistance," goes on Mona, remorselessly. Running over to the river that flows swiftly but serenely a few yards from her, she leans over the bank and gazes down lingeringly and with love into the dark depths beneath that cast up to her her own fair image. "No;" she might in all truth have added, "because I did not care to know," but what she does say (for incivility even to an enemy would be impossible to Mona) is, "I thought perhaps you might not like it.".
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Conrad
Mona makes no reply. At this Sir Nicholas gives way and laughs out loud, whereon Mona laughs too, though she reddens slightly, and says, "Well, of course the piano will do, though the fiddle is best of all." Geoffrey removes the heavy lace that lies round her throat, and then leads her up to the hearthrug nearly opposite to his mother's arm-chair. It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how——.
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