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"Is it?"—witheringly. Then, with some impatience, "You will be far happier in an arm-chair: do go into the parlor. There is really no reason why you should remain here." As the children whose ancestors came from Europe have stories about the heroes who killed wicked and cruel monsters—like Jack the Giant Killer, for example—so the Indian children hear stories about persons who had magic power and who went about the world destroying those who treated cruelly or killed the Indians of the camps. Such a hero was Kŭt-o-yĭs´, and this is how he came to be alive and to travel about from place to place, helping the people and destroying their enemies. "It won't be her fault; but of course her people will object, which amounts to the same thing. She can't go against her people, you know.".
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"Don't ask me to flatter you. You will get plenty to do that by and by," says Geoffrey, rather jealously, rather bitterly. He is delighted with her ready response, her gayety, her sweetness, her freshness; was there ever so fair a face? Every one in the room by this time is asking who is the duke's partner, and Lady Chetwoode is beset with queries. All the women, except a very few, are consumed with jealousy; all the men are devoured with envy of the duke. Beyond all doubt the pretty Irish bride is the rage of the hour. "I never saw your equal," says Geoffrey, who, with Sir Nicholas, has been listening to the last half of the conversation, and who is plainly suppressing a strong desire to laugh. "A secret panel! Oh, how enchanting! do, do show it to me!" cries Doatie Darling, when this marvellous recital has come to an end. "If there is one thing I adore, it is a secret chamber, or a closet in a house, or a ghost.".
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