Owen stared. "Why, for the reason I told you: that Mona won't take another step till mother has given full satisfaction. Everything must be there. You see, everything was there the day of that fatal visit." "I didn't mean to trouble you to do that. My justification," said Mrs. Gereth, sitting there warmly and, in the lucidity of her thought, which nevertheless hung back a little, dropping her eyes on the gravel—"my justification was all the past. My justification was the cruelty—" But at this, with a short, sharp gesture, she checked herself. "It's too good of me to talk—now." She produced these sentences with a cold patience, as if addressing Fleda in the girl's virtual and actual character of Owen's representative. Our young lady crept to and fro before the bench, combating the sense that it was occupied by a judge, looking at her boot-toes, reminding herself in doing so of Mona, and lightly crunching the pebbles as she walked. She moved about because she was afraid, putting off from moment to moment the exercise of the courage she had been sure she possessed. That courage would all come to her if she could only be equally sure that what she should be called upon to do for Owen would be to suffer. She had wondered, while Mrs. Gereth spoke, how that lady would describe her justification. She had described it as if to be irreproachably fair, give her adversary the benefit of every doubt, and then dismiss the question forever. "Of course," Mrs. Gereth went on, "if we didn't succeed in showing him at Poynton the ground we took, it's simply that he shuts his eyes. What I supposed was that you would have given him your opinion that if I was the woman so signally to assert myself, I'm also the woman to rest upon it imperturbably enough."!

Ten days after his visit she received a communication from Mrs. Gereth—a telegram of eight words, exclusive of signature and date. "Come up immediately and stay with me here"—it was characteristically sharp, as Maggie said; but, as Maggie added, it was also characteristically kind. "Here" was an hotel in London, and Maggie had embraced a condition of life which already began to produce in her some yearning for hotels in London. She would have responded in an instant, and she was surprised that her sister seemed to hesitate. Fleda's hesitation, which lasted but an hour, was expressed in that young lady's own mind by the reflection that in obeying her friend's summons she shouldn't know what she should be "in for." Her friend's summons, however, was but another name for her friend's appeal; and Mrs. Gereth's bounty had laid her under obligations more sensible than any reluctance. In the event—that is at the end of her hour—she testified to her gratitude by taking the train and to her mistrust by leaving her luggage. She went as if she had gone up for the day. In the train, however, she had another thoughtful hour, during which it was her mistrust that mainly deepened. She felt as if for ten days she had sat in darkness, looking to the east for a dawn that had not yet glimmered. Her mind had lately been less occupied with Mrs. Gereth; it had been so exceptionally occupied with Mona. If the sequel was to justify Owen's prevision of Mrs. Brigstock's action upon her daughter, this action was at the end of a week as much a mystery as ever. The stillness, all round, had been exactly what Fleda desired, but it gave her for the time a deep sense of failure, the sense of a sudden drop from a height at which she had all things beneath her. She had nothing beneath her now; she herself was at the bottom of the heap. No sign had reached her from Owen—poor Owen, who had clearly no news to give about his precious letter from Waterbath. If Mrs. Brigstock had hurried back to obtain that this letter should be written, Mrs. Brigstock might then have spared herself so great an inconvenience. Owen had been silent for the best of all reasons—the reason that he had had nothing in life to say. If the letter had not been written he would simply have had to introduce some large qualification into his account of his freedom. He had left his young friend under her refusal to listen to him until he should be able, on the contrary, to extend that picture; and his present submission was all in keeping with the rigid honesty that his young friend had prescribed. "Then won't yours do?" Mrs. Gereth demanded. "Haven't I had it from your own mouth that he cares for you?"

The girl had a promise that the wonderful house should be shown her early in July, when Mrs. Gereth would return to it as to her home; but even before this initiation she put her finger on the spot that in the poor lady's troubled soul ached hardest. This was the misery that haunted her, the dread of the inevitable surrender. What Fleda had to sit up to was the confirmed appearance that Owen Gereth would marry Mona Brigstock, marry her in his mother's teeth, and that such an act would have incalculable bearings. They were present to Mrs. Gereth, her companion could see, with a vividness that at moments almost ceased to be that of sanity. She would have to give up Poynton, and give it up to a product of Waterbath—that was the wrong that rankled, the humiliation at which Fleda would be able adequately to shudder only when she should know the place. She did know Waterbath, and she despised it—she had that qualification for sympathy. Her sympathy was intelligent, for she read deep into the matter; she stared, aghast, as it came home to her for the first time, at the cruel English custom of the expropriation of the lonely mother. Mr. Gereth had apparently been a very amiable man, but Mr. Gereth had left things in a way that made the girl marvel. The house and its contents had been treated as a single splendid object; everything was to go straight to his son, and his widow was to have a maintenance and a cottage in another county. No account whatever had been taken of her relation to her treasures, of the passion with which she had waited for them, worked for them, picked them over, made them worthy of each other and the house, watched them, loved them, lived with them. He appeared to have assumed that she would settle questions with her son, that he could depend upon Owen's affection. And in truth, as poor Mrs. Gereth inquired, how could he possibly have had a prevision—he who turned his eyes instinctively from everything repulsive—of anything so abnormal as a Waterbath Brigstock? He had been in ugly houses enough, but had escaped that particular nightmare. Nothing so perverse could have been expected to happen as that the heir to the loveliest thing in England should be inspired to hand it over to a girl so exceptionally tainted. Mrs. Gereth spoke of poor Mona's taint as if to mention it were almost a violation of decency, and a person who had listened without enlightenment would have wondered of what fault the girl had been or had indeed not been guilty. But Owen had from a boy never cared, had never had the least pride or pleasure in his home. "Naturally I want my own house, you know," he said, "and my father made every arrangement for me to have it. But she may make it devilish awkward. What in the world's a fellow to do?" This it was that Owen wanted to know, and there could be no better proof of his friendliness than his air of depending on Fleda Vetch to tell him. She questioned him, they spent an hour together, and, as he gave her the scale of the concussion from which he had rebounded, she found herself saddened and frightened by the material he seemed to offer her to deal with. It was devilish awkward, and it was so in part because Owen had no imagination. It had lodged itself in that empty chamber that his mother hated the surrender because she hated Mona. He didn't of course understand why she hated Mona, but this belonged to an order of mysteries that never troubled him: there were lots of things, especially in people's minds, that a fellow didn't understand. Poor Owen went through life with a frank dread of people's minds: there were explanations he would have been almost as shy of receiving as of giving. There was therefore nothing that accounted for anything, though in its way it was vivid enough, in his picture to Fleda of his mother's virtual refusal to move. That was simply what it was; for didn't she refuse to move when she as good as declared that she would move only with the furniture? It was the furniture she wouldn't give up; and what was the good of Poynton without the furniture? Besides, the furniture happened to be his, just as everything else happened to be. The furniture—the word, on his lips, had somehow, for Fleda, the sound of washing-stands and copious bedding, and she could well imagine the note it might have struck for Mrs. Gereth. The girl, in this interview with him, spoke of the contents of the house only as "the works of art." It didn't, however, in the least matter to Owen what they were called; what did matter, she easily guessed, was that it had been laid upon him by Mona, been made in effect a condition of her consent, that he should hold his mother to the strictest accountability for them. Mona had already entered upon the enjoyment of her rights. She had made him feel that Mrs. Gereth had been liberally provided for, and had asked him cogently what room there would be at Ricks for the innumerable treasures of the big house. Ricks, the sweet little place offered to the mistress of Poynton as the refuge of her declining years, had been left to the late Mr. Gereth, a considerable time before his death, by an old maternal aunt, a good lady who had spent most of her life there. The house had in recent times been let, but it was amply furnished, it contained all the defunct aunt's possessions. Owen had lately inspected it, and he communicated to Fleda that he had quietly taken Mona to see it. It wasn't a place like Poynton—what dower-house ever was?—but it was an awfully jolly little place, and Mona had taken a tremendous fancy to it. If there were a few things at Poynton that were Mrs. Gereth's peculiar property, of course she must take them away with her; but one of the matters that became clear to Fleda was that this transfer would be immediately subject to Miss Brigstock's approval. The special business that she herself now became aware of being charged with was that of seeing Mrs. Gereth safely and singly off the premises. She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful.