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At this Mona laughs unrestrainedly; and Lady Rodney, rising hurriedly, says,— tells himself that all may yet be right betwixt him and his love. As they draw still nearer, Geoffrey becomes aware that the farmyard before him is rich with life. Cocks are crowing, geese are cackling, and in the midst of all this life stands a girl with her back turned to the weary travellers..

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A strange scene presents itself to their expectant gaze. Before them is a large room (if so it can be called), possessed of no flooring but the bare brown earth that Mother Nature has supplied. To their right is a huge fireplace, where, upon the hearthstone, turf lies burning dimly, emitting the strong aromatic perfume that belongs to it. Near it crouches an old woman with her blue-checked apron thrown above her head, who rocks herself to and fro in silent grief, and with every long-drawn breath—that seems to break from her breast like a stormy wave upon a desert shore—brings her old withered palms together with a gesture indicative of despair. "If he claims my wife for another dance, I'll——" begins Geoffrey. Kneeling down by her, Dorothy lays her head upon Mona's knee, and bursts out crying afresh. Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud.".