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“You hitch Jethro to yer ole ’xpress waggon, ’n I’ll hitch Job to a prune-box with spool-wheels,” suggested Betty. “Aint that wonderful Miss Gordon? An’ Betty never had a lesson in her life. She jist naterly takes to music,” said Mrs. Wopp complacently. For five hundred dollars a week he had pranced to the admiring vaudeville audience; but once let the artist lay bare his soul in real music and whispering reaches his ear. But there was no use complaining, no one could understand his disgust..

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“A new kind of hen,” retorted Moses. Fer our reapin’ bye ’n’ bye.” Billy looked up at the Italian, saw him take a pistol from his pocket, discharge it in the air, replace it, and go calmly on with his work. What could that be for? A warning? Yes; for he realized suddenly that every sound in the house had ceased. The wagon passed from sight. He could hear the voices of the men as they drove by, see the driver pointing to the house with his whip; and one of the women on the rear seat looked back as long as the house could be seen. Then the soft mysterious sounds began again. The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores..