“I’m just running round to the doctor’s,” she whispered. “His medicine hasn’t come. I shan’t be long.” “Oh, you know,” explained Flossie. “Like a volcano compressed into a steam engine.”!

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “No,” said Joan. “I don’t think I’ve got what you call the artistic temperament. I have never felt drawn towards anything of that sort.”

* * * * * “I want you to be something more to me than that, sir,” she said. “I want to feel that I’m an Allway, fighting for the things we’ve always had at heart. I’ll try and be worthy of the name.” He bent forward so that he could see into her eyes.