"Why, that I'm in love with you!" "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.!

Fleda was silent; the worst of it all was that there was something unspoken between them. Neither of them dared to utter it, but the influence of it was in the girl's tone when she returned at last, with great gentleness: "Don't be harsh to me—I'm very unhappy." The words produced a visible impression on Mrs. Gereth, who held her face averted and sent off through the window a gaze that kept pace with the long caravan of her treasures. Fleda knew she was watching it wind up the avenue of Poynton—Fleda participated indeed fully in the vision; so that after a little the most consoling thing seemed to her to add: "I don't see why in the world you take so for granted that he's, as you say, 'lost.'" "Yes, I didn't quite understand—but I think I understand now. The case is simple and logical enough. She's a person who's upset by failure and who blooms and expands with success. There was something she had set her heart upon, set her teeth about—the house exactly as she had seen it."

"So that of course she misses them." Mrs. Gereth said nothing for a minute. "You're prodigious in your choice of terms!" she then simply ejaculated. He turned about vaguely for his hat.