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The loft in the barn had been swept and garnished by Mr. Wopp for Betty’s moving picture show, and thither, after the preliminary how-d’you-do’s were over, she led her eager audience. Her head was held at the exact angle for ascending the ladder to perform the imposing duties of moving picture operator, and her foot was on the first rung when she suddenly thought of the collection box for the carrots the children were carrying. CHAPTER XIX.—BETTY’S ILLNESS. That preliminary march was not without adventure. The “howdah” on the White Elephant where May Nell rode as the Fair Princess of Bombay, became loose and threatened to spill its small bit of royalty. And when Harold cinched the thing tighter the old cow bellowed so the smaller children broke and ran. However, they were soon back, and the procession halted at Mrs. Lancaster’s front gate in fair order. But when she saw the imposing string of wagons, children, and animals, known and unknown, she was afraid to trust her precious Buzz to them..

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Harold turned and looked to where May Nell stood with the twins, sorting her flowers. “Isn’t she a daisy, though? Little—why, she’s only a baby.” “There ain’t a shadder of a doubt Moses takes arter his Par in the gift of the gab,” was Mrs. Wopp’s genial rejoinder. Betty was thoroughly engrossed in her subject. Her story was entirely of birds and flowers and fairies. True, the pictures did not realize in their movements the lightning-like rapidity of “really truly” moving pictures, but they moved as fast as the young eyes that followed them could wish. One bullying boy, to punctuate his last taunt to Moses before turning into another road, picked up a stone and hurled it at his dejected victim. The stone glanced and struck Jethro who was bounding along the road to meet his mistress. A piteous yelp followed by a loud howl, and Betty was on her knees beside the wounded animal. She turned and shouted fiery imprecations after the fleeing boys..