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Of Lady Rodney's studied dislike Mona's sensitive nature could not long remain in ignorance; yet, having a clear conscience, and not knowing in what she has offended,—save in cleaving to the man she loves, even to the extent of marrying him,—she keeps a calm countenance, and bravely waits what time may bring. When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. "As berries," says Mona, genially..

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"What a curious child you are!" he says, at length. "You are never the same for two minutes together." "I had a small adventure," says Mona, presently, with suppressed gayety. All her gayety of late has been suppressed. "Just as I came back to the gate here, some one came riding by, and I turned to see who it was, at which his horse—as though frightened by my sudden movement—shied viciously, and then reared so near me as almost to strike me with his fore-paws. I was frightened rather, because it was all so sudden, and sprang to one side. Then the gentleman got down, and, coming to me, begged my pardon. I said it didn't matter, because I was really uninjured, and it was all my fault. But he seemed very sorry, and (it was dusk as I told you, and I believe he is short sighted) stared at me a great deal." "Tin,—money," explains he. "But why?" asks Mona, in amaze. "Didn't he wear one?".