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"Lies! Oh, fie!" says Doatie. "Who tells lies? Nobody, except the naughty little boys in tracts, and they always break their legs off apple-trees, or else get drowned on a Sunday morning. Now, we are not drowned, and our legs are uninjured. No, a lie is a horrid thing,—so low, and in such wretched taste. But there are little social fibs that may be uttered,—little taradiddles,—that do no harm to anybody, and that nobody believes in, but all pretend to, just for the sake of politeness." "Not yet; but I suppose there must be a village near here, and an inn, and I want you to direct me how to get to it. I am giving you a great deal of trouble," remorsefully, "but my boy knows nothing." "I have nothing in my head," says Mona, tearfully..
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"No," he replied, "my heart was sad; I did not count the days. Since I left, the berries have grown and ripened." He raises his hat, and, turning abruptly away, is soon lost to sight round a curve in the winding pathway. He walks steadily and with an unflinching air, but when the curve has hidden him from her eyes he stops short, and sighs heavily. It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years. "Oh, Mona, do go—do," entreats Doatie, who is in tears. "Poor, poor fellow! I wish now I had not been so rude to him.".
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