So the young man, following her attentively, appeared equally to feel. "So far as that goes," he promptly declared, "she has at last tired Mona out." He uttered the words with a strange approach to hilarity. "You're not all right—you're all wrong!" Fleda cried in despair. "You mustn't stay here, you mustn't!" she repeated with clear decision. "You make me say dreadful things, and I feel as if I made you say them." But before he could reply she took it up in another tone. "Why in the world, if everything had changed, didn't you break off?"!

"Certainly I'm sure, with all the evidence I already have. That will finish her!" Owen declared. Fleda considered; her friend had taken her up with a smothered ferocity by which she was slightly disconcerted. "I don't mean of course that he should surrender everything; but he might let you pick out the things to which you're most attached."

"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "I haven't the least idea," said the girl. "Oh dear, yes!" said Owen.