“Oh,” said Miss Tolley. “And were there any children?” “Yes,” answered Joan. “I’m a journalist.”!

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. Often on returning home, not knowing why, she would look into the glass. It seemed to her that the girlhood she had somehow missed was awakening in her, taking possession of her, changing her. The lips she had always seen pressed close and firm were growing curved, leaving a little parting, as though they were not quite so satisfied with one another. The level brows were becoming slightly raised. It gave her a questioning look that was new to her. The eyes beneath were less confident. They seemed to be seeking something.

“It would not do to tell the truth, or we should have our children growing up to hate war,” she concluded. Joan laughed. “You don’t somehow suggest the rat,” she said: “rather another sort of beast.” Mr. Simson shook his head. “Somebody’s got to tackle them,” he said. “Tell them the truth about themselves, to their faces.”