"I must take it on trust," the girl pursued. "And what if Mona doesn't give you up?" she added. He had laughed at his way of putting it, but Fleda remained grave. "Is that what you came to say to her?"!

"By not looking like a fool!" cried Mrs. Gereth very sharply. She kissed her, however, on the spot, to make up for this roughness, and summarily took off her hat, which, on coming into the house, our young lady had not removed. She applied a friendly touch to the girl's hair and gave a businesslike pull to her jacket. "I say don't look like an idiot, because you happen not to be one, not the least bit. I'm idiotic; I've been so, I've just discovered, ever since our first days together. I've been a precious donkey; but that's another affair." "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.

Something in this touched the girl so that for a moment she could not trust herself to speak. "You're an honest man," she said at last. She had gone to the door and opened it. "Good-bye." "By letting myself go?" She spoke mechanically, still more like an idiot, and felt as if her face flamed out the insincerity of her question. It was vividly back again, the vision of the real way to act upon Mrs. Gereth. This lady's movements were now rapid; she turned off from her as quickly as she had seized her, and Fleda sat down to steady herself for full responsibility. Mrs. Gereth, struck apparently by something in her tone, looked at her from a tremendous height. "Don't fail me now!"